The Enigma
Growing up, it was always, what are
you?
Always wanting to know
Where I came from.
What language did I speak?
Growing up, it was always, who are
your parents?
Always wanting to know
Which one was white.
What island were they from?
Growing up, it was always, can I feel
your hair?
Always wanting to know
Why it was the color jet black.
Was it dyed or straightened?
Growing up, it was always,
About my appearance.
My nails are too pink, the tips so
white.
Is that a French manicure?
Tiresome really.
What difference does it make?
Telling the truth makes no sense to
most.
Always questions, so let me boast.
Mô Djé!
My name is my name.
Creole is my ethnicity,
Black is my race.
I am a proud woman of color,
From the house of Dávies,
Pass the hot sauce, please.
That should be enough.
~d.lawrence
Free Women of Color with their Children and Servants in a Landscape.
The painting above was commissioned by the British
government and painted by Italian painter Agostino Brunias, created between
1770 and 1796 (late 18th Century). Although it depicts life in the Caribbean, it is very reminiscent of Louisiana Creole life. What I love about this painting
is how it showcases the relationship between free people of color and their slaves. In the silence of expressions, looks, and stares, one can sense the tension and
acceptance of life within the social order of the day. To read more about this, the painting and the artist,
please click here.
Available for purchase on Amazon, Barnes & Noble and other local
bookstores.
Also available to read on Goodreads
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